His recording of Beautiful Love has a long section of the solo like this.
For the Ebmaj the underlying chord is the 5th and 3rd of the chord. The Gm7 and C7 melodies are harmonized in the same way. This is a good technique if the melody note is diatonic (and not chromatic) and uses diminished chords for the notes that are not part of the chord.
It is in some ways the highest level of putting chords to a …
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This note does not sound good over an Fmaj7, so I harmonize it with a Gm7. A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" rhythmic unison with the melody, as opposed to broken chords. That is also what I use on the Dø. So what you have to remember with this material is that you will learn the most if you make your own exercises that use the voicings you are comfortable with and you know the sound of. var m1 = " Welcome to MoneyChords.com...... ";
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The leading or passing notes you can harmonize with a chord that can resolve to the chord itself.
For the rest it is quite easy to go up the scale. window.status=" ";
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