In fact, the whole thing is altogether smarter than you might expect from a two-star-rated flick. Nothing is as it seems. But the relationship at its core is unconvincing. Simon Abrams is a native New Yorker and freelance film critic whose work has been featured in The New York Times, Vanity Fair, The Village Voice, and elsewhere. "Come and Find Me" constantly threatens to go places that many contemporary thrillers never venture to, but ultimately runs out of gas and winds up taking the path of least imagination. The raw ingredients are there: "Breaking Bad" actor Aaron Paul plays a characteristically likable everyman who discovers his girlfriend is not who she appears to be after she goes missing for a year. (34) Ye shall seek me, and shall not find me.--These words are to be interpreted in connection with John 8:21, where they are repeated, and with John 13:33, where they are quoted and applied to the disciples.This will exclude any special reference, such as to the destruction of Jerusalem and to the seeking Him in the miseries which should follow, which most expositors have found here. But -- again -- it remains almost impossible to buy into the two protagonists as a “good match”. He emerges as a bit slow on the uptake. But when the couple lock lips later in the film, she kisses him in the same exact way. Still, remember: this is a romance first, and then a thriller. Instead, writer/director Zack Whedon shows us Claire and Paul's relationship in order to establish David's fierce loyalty. Cinematographer Stan Stiegemeier’s alternating light-and-dark visual palette frames Claire’s compelling convergence of strength and vulnerability, innocence and experience. Whedon's flashback-heavy plot is also frustrating because Wallis and Paul don't seem to have any chemistry. As he pieces together the clues in the photographs Claire took and replays his memories with a forensic gaze, he becomes, he says, “a regular Philip Marlow”. Nothing about him invites our curiosity. His quest is slowed, too, by the fact that our reluctant hero, at least initially, is limited to public transportation and his bike. We are moving to WordPress and a new host, but we really need your help to fund the move and further development. The atmosphere shifts from tense to comedic, as they contemplate personal photos and share their joke with us: “We must have lost our memories,” they agree. So "Come and Find Me" mainly concerns David's memories of Claire. (Perhaps she's moved by the quiff in his hair, maintained through all the perils that follow.) Any attentive viewer, for example, will have figured out Claire’s real name long before he does. But finally, in its last 15 minutes, Come and Find Me lives up to its promises. On the other hand, it’s not apparent why Claire would look at David. But we are always one step ahead of him. There are signs of Claire's double life ostentatiously hidden throughout these scenes, but there's no puzzle to solve here. Much of Whedon's drama is comprised of flashbacks, but those flashbacks give meaning to David's easily-frustrated quest for answers. Come find me Come find me. He will not come, according to your expectations, to aid you. With that annoying, cutesy episode, the sort that only happens in bad movies, Come and Find Me proves instantly unworthy of the audience's trust. All rights reserved.PopMatters is wholly independent, women-owned and operated. Again, we're left wondering why the two leads don't share a more convincing intimacy. While David does become more canny and inventive in outwitting the bad guys, whoever they may be, this maturation process is overwhelmed by the onscreen presence of the past as the film alternates between flashbacks and the forward movement of the plot. Stuff has to be spelled out for David, literally. We are challenged to recalibrate our preconceptions of where the plot is going or has gone, and to rethink the dynamics of David and Claire’s relationship. The film stars Aaron Paul, Annabelle Wallis, Enver Gjokaj and Garret Dillahunt. Shall not find me - Shall not find the Messiah. David doesn't have many clues to go on, though he does eventually find a roll of undeveloped film that leads several hostile interested parties to his door, including torture-happy Russian gangsters, and equally shady government agents. Although it's easy to argue that Come and Find Me's chase scenes, drawn guns, and plot about the mysterious disappearance of a beautiful woman are … It’s hard to tell where Claire as fiction or fantasy ends and David's reality begins. The short answer: Whedon has a lot of good ideas, but doesn't follow through on them. It’s marketing is scant, with the most word of mouth coming from Joss Whedon’s twitter account. The main problem is Whedon's lack of creativity. Are Marjane Satrapi's Works Comics or Graphic Novels? Directed by Zack Whedon. Rating: 4/10 – leaden, and with an ending that will leave most viewers slack-jawed through disbelief, Come and Find Me is a misfire on almost every level; lacking a clear purpose, or any depth or subtext, the movie plods along, then stumbles along, then plods along again etc. I want to meet but never leave now I want to meet but never leave now. Embodying a range of responses, from irritation to anguish to tenderness, Wallis authenticates her character's contradictions. Likewise, when they kiss, she leads: she pounces on him, and pushes her face into his, like an eager high-schooler who has no idea what she's doing. See the notes at Matthew 24. But when they arrive at the same house and each claims to live there, we realize that the whole thing is an elaborate charade, a romantic game. We see David and Claire flirting when they paint their first apartment together, and wind up scribbling bathroom-stall-quality graffiti insults to each other all over their ceiling. We believe in her shady past, even her somewhat implausible day job at a dry cleaner. This is a bit of a problem since a constant series of interrupting flashbacks winds up stalling "Come and Find Me," Whedon's directorial debut, whenever it starts to develop momentum. Explanation definition, the act or process of explaining. When his girlfriend goes missing, David must track down her whereabouts … A young man gets on the bus, sits a few seats behind her, and they look at each other. Though such a knowledge gap can create anticipation and tension in a thriller, in this case, we care less rather than more about David.

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