, The Heritage Audio Successor brings all these and then more: A fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A ´73 type output stage that Heritage Audio is famous for. Re: Clip tuner that responds acoustically. The Neve 2254 contributes its hefty sound and presence to diode bridge technology. I'm not quite sure why, but of all the vintage approaches to compression, the diode-bridge circuit seems to be the one which has been least exploited by the many manufacturers creating either hardware clones or analogue-modelling plug-ins. It delivers that certain something and, for a stereo compressor of this quality, at a decent price too. However, since the Gain Makeup stage is actually a 10dB attenuator, where the level of attenuation is reduced as the 'gain' level is 'increased', that means that there is 50dB of gain and a balancing transformer, placed in the signal path between the gain cell and the balanced outputs. After the meter, which displays the amount of compression on its 0-20 dB scale, comes the Dynamics In switch, and in addition to activating the compression circuitry this also switches on the meter illumination — a very neat alternative to the customary green or red LED. Standard Delivery Times. Switching up an octave to 160Hz will tend to prevent both bass and snare drum from overly dominating compression, enhancing the presence of both those drums in the mix. For those on a tighter budget, Golden Age Project offer the half-rack Comp–54 and the double-wide 500-series Comp-554. The final six-position switch is the Gain Makeup control, and this offers 0-10 dB of makeup gain in 2dB steps. The Heritage Audio Successor brings all these and then more: A fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A '73-type output stage that Heritage Audio is famous for. The Successor, like all diode-bridge designs I've encountered, employs both input and output transformers, and those here are made by Carnhill — and are intended to contribute to the device's vintage sonic character. Both GAP designs are mono, though two Comp-54s can be stereo linked. The Heritage Audio Successor brings all these and then more: A fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A ´73 type output stage that Heritage Audio is famous for. It is this attenuation/compression/amplification process, plus the effect of the transformer, that creates the harmonically rich, upfront sound quality that makes a diode-bridge compressor sound so pleasing to the ear. The faster attack and release options permit more flexible settings, including FET-like behavior and volume maximizing without transient artifacts. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Get Directions | The Successor features true stereo operation on single controls with matched gain cells for extremely tight left/right tracking and near-zero offset between channels. As you might expect, the Successor can produce superb results when strapped across a guitar bus too, whether you're aiming to smooth out the recorded response of a clean electric or acoustic guitar, keep a clean-to-crunch track from jumping around in the mix or gluing together a layered, distorted wall of sound. The Heritage Audio Successor brings all these and then more: A fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A '73-type output stage that Heritage Audio is famous for. Re: One Synth Challenge V - The Filter Strikes Back! Sweetwater Sales Engineers help you buy music gear with confidence. Quote: Why would you settle with sterile VCAs in your mix or instrument bus duties now that the Successor is available? Its overall audio performance — a bandwidth of 15Hz-30kHz ±0.5dB, and inputs and outputs capable of handling in excess of +22dBu — was equally impressive. Reserve yours now risk-free, or contact us for more information. Used more modestly, there's a sense of an increase in presence and detail — and although this is accompanied by a reduction in punch, the Blend control can be used to counter that, as it allows you to layer the transient punch of the uncompressed dry signal back on top of the solidity and detailed presence of the compressed one. Superb though it is at controlling an entire drum bus, the Heritage Audio Successor is also capable of considerable subtlety, and its particularly well-featured side-chain has a lot to do with that. A smooth roll-off below 50Hz is also fitted to the side-chain in order to prevent sub-bass frequencies from affecting the compressor. But while they do achieve this in their normal operating range, there is a small area of a diode's operation where its conductance varies in proportion to the voltage being applied across it, and it is this variable conductance that allows a diode to be used as a voltage-controlled variable attenuator. Based on a classic design and bursting with transformers, the Successor from Heritage Audio combines a vintage sound with serious flexibility. Knowingly making use of Carnhill transformer-coupled balanced inputs and outputs for added character and vintage vibe, Heritage Audio’s new SUCCESSOR STEREO BUS COMPRESSOR is, indeed, a true stereo diode bridge-based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the same Class A ’73-type output stage that the Spanish company is famous for. The Successor stereo bus compressor continues Heritage Audio's tradition of manufacturing acclaimed pro audio equipment inspired by holy-grail vintage English gear. Everything you love about Sweetwater in the palm of your hand. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. Heritage Audio SUCCESSOR Stereo Bus Compressor, Music background: Guitarist. What is a "hybrid" audio interface anyway? A cursory glance and the Successor's front panel instantly reveals its muse, the painted, battleship-grey fascia and winged knobs giving it a particular vintage appearance that wouldn't look out of place in a studio from the 1970s. Mastering Essentials Part 3 - How loud should I master? The diode-bridge approach to compression is, inherently, slightly noisier than other more familiar designs, but it's not usually a problem in the intended applications — indeed, the Successor's less-than-75dBu self-noise didn't cause me any issues in use. The tracking itself is described by Heritage Audio as 'Oxford' mode — a term derived from the way the two channels' side-chain control voltages are linked in the original SSL stereo bus compressor (there are some partial clones whose design cuts corners with less expensive, less sophisticated side-chain circuitry). Wet/dry blend control's bypass allows comparison without losing your settings. When it comes to recording bass guitar, a transformer-balanced preamp feeding a transformer-balanced compressor can do no wrong as far as I'm concerned, and the Successor gave me no reason to change my mind about that. Web site designed & maintained by PB Associates & SOS. The views expressed are those of the contributors and not necessarily those of the publishers. The Successor is the glue holding all the instruments together, allowing vocals to shine through without mudding the backing track. Thank you for your request. In addition to all this, an external send-and-return loop allows the use of external filtering or other processing to either replace or complement the internal filters, for more precise control. On the rear, you'll find a four-pin locking XLR connector for the external power supply, the balanced XLR audio I/O and the send and return jacks for the unbalanced side-chain insert loop. Vocals are another area where the Successor proves its worth. The convenience of intuitively being able to set up a suitable level of compression, find a wet/dry ratio that gives me what I want to hear, and then switch between that blend and the dry signal to check things out without having to switch the actual compression in and out was the icing on the cake. Compression tracking works in "Oxford mode," where, as opposed to summing left and right channels, the loudest signal control compression.
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