The Natural Minor Scale has more of somber, gloomy tonality compared to the Major Scale. C to D: Bb: …and then to C: If you do the math, 7 natural pitch sets + 5 accidental pitch sets = 12 pitch sets. The natural minor scale, also known as the Aeolian mode is one of the most used guitar scales in rock and popular music. Having established that there are twelve pitch sets in music, we’re going ahead to look at the distance between these pitches. All the notes played from C to C: …tells you what the key of Db looks like. The Natural Minor Scale (also known as the Aeolian mode) is one of the most often used scales in modern rock music. Step 5 – While on the seventh degree, observe a half step ascent from the seventh to the eighth degree. Attention: If you’ve been around musicians for long, you must have heard someone sing do re mi fa sol la ti do OR do ti la sol fa mi re do. Conversely, we can also descend from C: The major scale is a melodic source of the major key. Other whole step distances between white notes across the keyboard include…. There are several notes of various pitch levels from the lowest to the highest, however, we can classify them into 12 sets. None really, it's pretty standard. Put together we have A, B, and C: Remember, 1, the first note of the scale, is the root note, so if you started the scale at the 3rd fret on the low E string, the 1st note would be G so it would be the G major scale.The root note defines the key in which we play the scale, in other words. A major scale (also known as the Ionian mode) is made up of seven notes -- eight if you count a higher version of its first (or “root”) note to complete the octave. The guitar is complicated because you can play the same pitch in multiple locations on the fretboard; however it is easy because it gives us repeatable patterns. The distance from C to D: Note that in a whole step from C to D, you can see a black note in-between C and D…. E Major Scale Positions. …is a whole step. Step 2 – Ascend in whole steps to the second and third degrees. F to F#: You’ll do well to check it out. D#: Let me show you what to do if someone walks up to you and asks, “What note is a whole step above Eb?”. Here are the remainder half steps…. The major scale (in any key) can be formed through a sequence of tones and semitones. Adjacent to C: In this lesson, we’ll be learning about the major scale. Adjacent to C#: …the eighth degree of the A natural major scale. …therefore A is the first degree. …gives you an idea of what the key of F looks like while the Db major scale: …which is equivalent to Db. If you can bear it in mind that the distance between adjacent scale degrees is a whole step, save between the 3rd & 4th and 7th & 8th degrees, you can form the major scale in any key of your choice. …to B: …is a half step, then E to F: In this topic, we will start showing (in order to open your mind) other forms of shapes for the major scale on the acoustic/electric guitar. These diagrams or charts represent the fretboard of your guitar and indicate which notes you’ll play on which frets and strings. More information on pentatonic major scales can be found on this page: Pentatonic Major Scale. A half step ascent from the seventh degree (G#): According to Jermaine Griggs, “Notes form scales…” and that summarizes our goal in this lesson, which is to form the natural major scale. A note is a music sound of a precise pitch. Much like the major pentatonic scale, the sound of the minor pentatonic scale makes it appealing for many guitarists who want to write hard-hitting and straightforward guitar licks. The following two tabs change content below. Eb: We have already taught the basic concept about scales and we showed the shape of the natural major scale and the natural minor scale. G#: For example, the F major scale: Pentatonic Major Scale. Learn the Major Scale on Guitar. The major scale is a scale of eight degrees having half steps between the third and fourth and the seventh and eighth degrees and whole steps between the other adjacent degrees. The major scale is a scale of eight degrees having half steps between the third and fourth and the seventh and eighth degrees and whole steps between the other adjacent degrees. A# to B: …is also a half step. A#: …is G#: Scale, like we defined in the beginning is a succession of notes that can either ascend or descend. One of the most important things you need to know before you get into scale formation is the whole step and half step distance. I highly recommend that you consciously commit all these scales to heart. D to E: F: If you do the math, 7 natural pitch sets + 5 accidental pitch sets = 12 pitch sets. Following the same procedure, you can form the natural major scale in all twelve keys. For instance if you start the major scale on the 6th note you are playing the natural minor scale and the 3rd degree of the minor scale is the major scale. E to F: In most cases, this is the scale that beginners are exposed to and this is because it has a way of familiarizing you with the concept of key or tonality. Major scales on the guitar follow the pattern shown below, playing the notes in the number order they appear below (remember, the 8 of the first octave serves as the 1 of the second octave). You should learn that major scale pattern above to start with and learn the visual (and auditory) relationships between its intervals. Forming the Major Scale. Therefore, from Eb to F: …is C#: Scale comes from the Latin word scala which means ladder or staircase. G# to A: …are the naturals while the 5 black notes: …are the accidentals. Next, we’ll review the different positions and finger placements needed to play the E major scale on guitar. These 12 pitch sets form the octave. To build the Natural Minor Scale, you flatten the 3rd, 6th, and 7th notes of the Major Scale. Step 3 – While on the third degree, this is where you need to observe a half step ascent from the third degree to the fourth degree. Leaving the part that says “…based on a fixed formula” out is intentional. B to C: All melodies played in the major key are derived from the major scale. In this topic, we will start showing (in order to open your mind) other forms of shapes for the major scale on the acoustic /electric guitar. Ab: Formation of the major scale depends on whole steps and half steps. F# to G: In music, a succession of notes like we did, moving from C, to D, to E, etc., creates a melody.

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