This is less about plot awareness and more about frustration with truly lovely cinematography that’s just not calibrated for a typical viewing experience. Whatever the case, much of the long-awaited Battle of Winterfell was, for many viewers, too dang hard to see. Or they were calibrated correctly, but the ideal viewing experience is really in a theater. It's been lightened slightly, but you can see the blockiness and lines where there's a lack of data. The Long Night is a perfect example of where data really matters. The Night King dies, bursts into a billion ice chips, and then all the White Walkers also collapse. That's something that Game of Throne's creators discuss in the behind the scenes above - it's supposed to be really dark, rather than just slightly dark. No tap-dancing and zero Judi Dench, but Idris is still committed to delivering a gift to you this Christmas. What could you see in the battle that maybe you otherwise missed? Take a look at the photo above. It's the old digital problem - not enough data to complete the picture. It’s a skirmish between White Walkers and the Unsullied. As any Game of Thrones viewer knows by now, Sunday’s episode, “The Long Night,” was too dark. That's a close-up of a typical stream of Game of Thrones, paused and photographed. Display technology isn't the magic bullet to fix this problem. Who knows what this field of mottled blackness might be. Streaming has always been about convenience over absolute quality and in this episode, it's quality that you need. | Meaning, pronunciation, translations and examples You can't see what's coming, until it's right in your face. Environment too is important. Called The Long Night, it was the clash we were all waiting for, a pivotal moment in the saga that Game of Thrones has become. (Pocket-lint) - Game of Thrones threw down its most ambitious episode in season 8 episode 3, as the Night King finally brings his army to the walls of Winterfell. Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. But there's darkness and then there's not being able to see anything. If you're watching at peak times and broadband usage is high in your area, then the service may drop in quality to avoid buffering. permalink; embed; save; parent; give award [deleted] 6 months ago * [deleted] Flabbergash 47 points 48 points 49 points 6 months ago . Maybe it’s an empty field? Thanks to the Unsullied’s helmets, the only faces you see belong to the White Walkers. Or bad guys? I want more detail! No, it's really about a lack of data, but if your TV isn't well setup, you'll not be getting the most from it visually. I want to have seen all their faces crumpling away! What if we lightened some of those images? But in a lighter version, you get much more information about the scene. Spin that into the detail of the episode and the darkness hides the enemy. Billy Corgan on the Best, Worst, and Pumpkin Chord-iest of Smashing Pumpkins. But daggers are important on this show, so … which dagger was it? Turns out there’s a shot where you can see him riding back to the castle! This sequence is of the White Walkers who’ve started climbing over the walls of the castle, and from the motion, you can see that the wave of them suddenly crests and falls backwards, almost imploding on itself. Wake Up From Your Thanksgiving Food Coma to J.Lo’s New Single ‘In the Morning’. The Darkest Battle Scene From GAME OF THRONES' "The Long Night" Episode Gets a Brightened Side-By-Side Comparison Videos TV Games of Thrones HBO Image Safe about a year ago by Joey Paur. Some TVs have a calibration process you can go through, which is as much about setting the TV to suit your preferences and the environment that it's in than anything else. Oh look! Maybe it’s … all good guys? Or, they were just as dark as they should’ve been, because realism. 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Back to the White Walkers also collapse convenience over absolute quality and in this episode, it 's been slightly...

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