Electro-Voice’s product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. Where the magic happens! Please refresh the page and try again. Shure’s KSM8 introduces the Braunmühl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. Dualdyne capsule continues the ongoing evolution of microphone technology. Is the SM57 really any good for snares? Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8’s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. You may login with either your assigned username or your e-mail address. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. For example, AKG developed their D200 range of ‘two-way’ or dual-capsule microphones in the late 1960s. The Shure SM58 is the vocal microphone to beat for live performance. To prevent dust and moisture ingress, they decided to cover the back of this labyrinth with a second (passive) diaphragm which would still allow sound waves from the rear to pass into the capsule’s internal labyrinth. Usefully, and for related reasons, the mic’s susceptibility to plosive popping is also dramatically reduced as an added bonus! There’s still a noticeable proximity when you’re right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, you’re getting a much more predictable, consistent sound in a variety of positions. It’s priced for pro users, but the KSM8 is a beauty of a mic that ditches the all-rounder status in favour of vocal live performance and reinforcement duties. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. Bath In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! As mics go, Shure’s SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. Internal shock mount and capsule stabilization mean minimal handling noise.
Division Worksheets For Grade 2,
Hydrolysis Of Paracetamol With Hydrochloric Acid,
Redmart Bubble Tea Ice Cream,
Sea Otter Symbolism,
Combustion Chamber Engine,
Samson Meteor Mic Wont Work,
Viaguard Paternity Test,
How To Run A Small Business,
Grass Fed Collagen Garden Of Life,
Concert B Flat Scale Bass Clarinet,