Applying compression with extremely short release time will cause the signal to be almost instantly released to no compression when the signal falls below the threshold. 5. I set Attack on Compressor to 0,20ms and Release to 100ms. The Ratio setting determines how much the compressor reduces or attenuatesthe signal. Now, I have found that a good ratio for vocals is 3:1. One of the easiest ways to determine attack and release on a compressor when your ears aren't trained yet is to over compressed the signal. This one requires experimentation. I know it has some very sophisticated methods of compressing in it. 3 Compression Ratios - 2:1, 4:1 and 10:1 ratios offer lots of flexibility; Attack and Release Control - allows for ultimate control over the compression characteristics; Mix - Blend uncompressed signal in with the compressed signal for parallel compression, New York Style! Attack & Release. Start with a ratio between 2:1 and 4:1. For example if your multiband compressor has 3 bands (bass, mid and high frequency range), you can assign 3 compression settings for each of those bands. 5. The attack setting on a compressor decides how much time it takes for the compressor to compress at full force. Consider the attack setting as the response time of the compressor. I mean like 15 db of compression. Up to this point, we've been dealing with the compression controls that are the easiest to get a handle on, but when it comes to a compressor's Attack Time and Release Time parameters, a lot of newcomers quickly become confused. First picture is attack time, and second is release time. It’s All in the Attack and Release. The attack and release settings basically management the reaction pace of a compressor. And I like the way it sounds. The Threshold setting determines when the compressor actually begins compressing. If the vocal track features fast syllables like a rap song might, you'll want to use around the fastest attack you can. In the case of complex mixes or vocals where the dynamics are constantly changing, the Auto mode may do a better job than fixed manual settings. Attack and release. If you wanted more attack of the snare, you could set a slower attack and slower release so that the compressor lets the transient come through then grabs onto the tail end and hold on for a while so it’s not as loud or over emphasized. Now start dialing the attack back (slower) until you hear more of … The one remaining downside is how it is possible for you to assign an inexpensive attack and release times for every compression band. Many engineers choose to begin applying compression with a slow attack speed and a fast release speed for the most natural, transparent sound. In a multiband compressor, it lets you assign different compressor settings (threshold, compression ratio, attack and release times) for every frequency band or range. 6) Tweak the Attack & Release Settings. Third picture is Chart I found on Internet which explain attack and release times. CONCLUSION These are just 2 examples of what you can do with the attack and release compressor settings . Auto Attack/Release: Some models of compressor have an Auto mode, which adjusts the attack and release characteristics during operation to suit the dynamics of the music being processed. And with a bit know-how, they can be used to make tracks sound any way you need. Lower the threshold to apply more compression and vice versa. Mixing With Compression – Attack And Release (Part 2 of 7) Nov 7, 2016 | Audio Example , Mixing , Mixing With Compression , Plugins , Tips , Video | 19 comments It’s amazing how one simple compressor can do two wildly different things to your audio – all depending upon how you set the Attack and Release knobs.

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