So if the maximum peak of your kick drum is -6dB set the threshold to … Snare body / beef. Your compressor panel should now look like this: Set release time to 100ms. Set threshold to 1/6 of the maximum peak kick drum level. Setting an attack time that is too short will result in a ‘flattening’ of the sound of the drum. The following settings are common and versatile: Threshold: –4dB The electric, acoustic and bass guitars are the foundation of most modern music. A drum mix is also a great place to consider parallel compression, to blend the compressed kit in with the drum … If you set a long attack time, say 100 milliseconds (a tenth of a second), then the transient of the drum would get through before the compressor had time to respond. This will also create more headroom for the entire mix, if needed and it will also remove rumble. You are going to learn everything you need to know about Audio Masterclass to get your career moving. You can do both if you wish, but here we shall concentrate on compressing individual drums, principally the snare and kick, but also the toms too. The compression ratio can be set to around 4:1 and the release time to 100 milliseconds. If the transient therefore can be made quieter than the body of the sound, overall the strike will sound subjectively louder. If you haven’t done so, then please take a moment to subscribe to my youtube channel so that you don’t miss out any upcoming video tuts. Problems with a short attack timeOne thing is very much for sure, you have to experiment with the attack time. Choosing the right compression settings is often dictated by the style of music and the performance. There are occasions, not covered here, where you might want to emphasize the transient. (adsbygoogle = window.adsbygoogle || []).push({}); Copyright © 2000 - 2020 Imaginative Resources Ltd. and licensors. 3.) Therefore, although this style of compression is certainly applicable, generally less compression will be used than for the snare and kick. Even though different genres my require different settings this guide will help you learn how to find problem frequencies and how to help the snare cut through the mix. A big rock ballad may call for the largest snare sound you’ve ever heard, while a rap or hip-hop track may need something super tight. I used one eq for subtractive eq and another to do additive eq. Sometimes a piece of hard plastic is attached to the drum head to emphasize this. Today’s video tutorial is all about how to make a phat snare using EQ and compression. Choose the mics and preamps that will get the best sound, Know which DAW and plug-ins get the best results, song after song, Choose monitor speakers and headphones that help you get the best mixes and masters, An investigation of the pre-delay parameter of the Lexicon 480L reverb plug-in, Add reverb to your recordings using the natural echo chamber technique, Why you should ventilate your home recording studio. When compressing individual drums, the attack time is the most important control. The compressor settings for snare we discussed in the previous section are what I use for my first compression stage. Summary and further considerations What we have learned here is how to reduce the level of the transient compared to the body of the drum sound to make the overall effect fuller and subjectively louder. How to set the compressor to make the snare and kick sound fuller and more powerfulEvery compressor – every decent one – has a control labeled ‘attack’. After adding the compressor I realized that the snare had a very long tail which I didn’t like so I had to cut it out using a gate plugin. Adding a delay before the reverb kicks in can create an interesting sound texture and make heavily-reverbed vocals more intelligible. Do you really want to become one? For the compression settings, I simply used a fast attack and release time with a small ratio of around 3:1. It could be metal or blues you’ll learn the fundamentals of making a phat snare drum.eval(ez_write_tag([[468,60],'talkinmusic_com-box-3','ezslot_5',106,'0','0'])); This is also a concise guide so it doesn’t matter what software or plugin you’re using, the same principles apply. Compressing the toms Toms can also benefit from this type of compression. After watching the video you may ask yourself why I used 2 equalizers instead of one. After adding the compressor I realized that the snare had a very long tail which I didn’t like so I … Therefore, although this style of compression is certainly applicable, generally less compression will be used than for the snare and kick. Here is how the drum sounds without compression: Lower the Threshold as far as it will go, and increase the ratio all the way. Anyone new to compressors would think that more attack means a more attacking sound. Boxiness: I also created a cut in the 500Hz range to remove some boxiness and mud. Multiband compressors have attack, release and ratio controls for each band, so once the crossover points have been set, go ahead and tweak the kick and snare bands until the drum set sounds more balanced. Then to spice things up I added a reverb. Do you intend to soundproof your... (adsbygoogle = window.adsbygoogle || []).push({}); When possible, try to tune kick and snare drums to the root note or the fifth in the key of the song.
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