,.. Now, for the first time, this particular bass was taken a step further by adding the multi-scale “fanned frets” to the equation. This fanned fret 4-string is based on my Torzal “Standard” model, which is a neck-through construction with a 35° twist in the neck. Worse comes to worst, I’ll send it back to Jerome for a tune-up. If someone came into my shop looking for any sort of repair done to it I’d have to respectfully decline. I suppose a few more whistles and bells through the first 2 quarters may have preened the animal for the show sure, that’s what I think Tim and Brad are CRUELLY relating to in thier SCATHING attacks above, but a build up’ is one of the most effective and sensational constructions, a real spike in the punch, to be enjoyed by all when orchestrated well, and I really appreciate your contributions in total and think your song Deep’ is a hit, and is up there with the best on this site so far. As far as playing goes, you’d be surprised how easy it is to get used to–feels more strange to go back to a straight bass. I wanna try one of those but alas,I fall into that “cant afford one”cateragory. The patented Natural Twist design exhibits a radical departure from traditional guitar design by twisting the neck, bringing the strings toward a more natural hand position at each end of the instrument. (With Jerome’s permission of course). From the “zero” plane of the body, that total twist consists of 20° downward rotation at the nut and 15° upward rotation at the bridge. Ideally you want the center of your bass right at your navel, with the neck angled at anywhere from 30 to 45 degrees. Check out more of his work at Little Guitar Works, Bass of the Week: Rob’s Left-handed Warmoth Build, ’60s era-correct NP4v pickup from Nordstrand. Every quarter turn, observe your neck. If your neck hasn’t completely aligned yet, simply continue tightening and checking. Ralph Novak patented the fanned fret concept in 1989 (the patent has expired), and although I’ve been a fan (no pun intended) of his work and Sheldon Dingwall and others who’ve employed the concept, I had never done it myself. This week we took in a 1960’s Fender P-Bass for a refret that had a severely warped neck. That being said,I’ve been loosely following Jerome’ s work on this design for a few years and I am glad he is producing instruments as last time I had read about him I dont think he was quite at that stage and still ironing out some details. Holmes seems to have used Kfcrzinger as a major resource so I have assumed that Holmes gave all the fragments that Kfcrzinger did. This twist can have ergonomic benefits for players, reducing hyeprflexion and helping prevent or relieve repetitive strain injuries. I build straight basses too. This kind of thing never crossed my mind until I hit the age of….well a few years ago. Click the link to my website and drop me an email! They’re pterty simple though it’s mostly a matter of gluing everything together, waiting for it to cure, then sticking the lights in the back. That book made me howl a few times. How do you go about it? But as far as repairs go, I see your point. Yes, these basses are for sale. had I inherited a little brain damage?.. But the Torzal works. I think where you position your bass is the critical factor in avoiding carpal tunnel problems. The customer specifically requested some of the lighter sap wood edge of the board to be used, which goes well with the exotic figure of the maple top. The object is to play your bass with both wrists as straight as possible. I got rid of everyone of them. Wow! The neck blank sat on a table which could be raised incrementally for successive passes of the cutter. I need some humor in my life, so I picked up Me Talk Pretty One Day by David Sedaris. Good luck! After some time he emerges…with two black eyes Wow! I also foresee for anyone who purchases one of these twisted necked basses many problems in the future with fret buzzing and getting a reputable guitar tech to do any sort of neck/fret work. This is what the strings are doing, and the fretboard follows that geometry such that the playing action is the same as a regular bass, and the relief is adjustable with a truss rod, just as on a regular bass. For hardware, it features one of the first production sets of the new Toone & Townsend individual string bridges (I helped beta test the prototypes), Hipshot Ultralight tuners, Nordstrand Fat Stack pickups and an Audere preamp with individual coil tap switches for each pickup. I’ve been building custom orders for several years now–4 string, 5 string, headless, fretless, carbon fiber–you name it! In the “old days” I cut the twist in the neck blank using a machine I built which consisted of carriage with a jointer cutter head powered by a skill saw motor which traversed on rails set to the desired twist and in proportion to the taper of the string spacing. Jerome Little designs guitars at Little Guitar Works. Also balance is an arbitrary thing, notice the angle the bass is “balanced” at, this bass will only balance if that’s the exact angle you use in your playing position. If you’re interested, contact Justin at justin@bestbassgear.com. I was bouncing up and down on my hlloow skull like a pogo stick at the beginning, dont ask me how I do this, it just happens, Im going to talk to a bishop next month about it, but anyway, after registering the song through once, I was convinced it was a boring reel, but it had a great ending, then something must have snapped in my mind, to the gnut of a broken box, and I began to think of the song as a whole, would the end be as astounding as it was if you didnt build it up in the way that you did? This trusty guy will fix your guitar neck. Thanks for including me in your blog, Justin. They really have a unlvlieeabbe chemistry. I could see me playing this kind of bass because I do feel the pressure on my wrist using the standard fret broad. The neck simply would not straighten out, no matter what we did with the truss rod – even with the truss rod completely loose, the neck had a severe back bow. These days I have a buddy with a vertical mill CNC machine which creates the perfect geometry with much less labor than my old fixture. I have taken it to a local luthier (Mark Brown, in Campbell, CA0, and he has no problem working on it, when needed. Don’t get me wrong balance is important for sure but is a balancing point is very personal to an individual. Just remember when you’re “reading” the neck, take it string by string.

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